WebGL must be enable, Post-Conflict and Post-Disaster Responses, Meeting of Director-General and Iran’s Ambassador to UNESCO, Sites in Ukraine, the Iran and the Democratic People’s Republic of Korea inscribed on UNESCO’s World Heritage List, Astronomy and World Heritage Thematic Initiative, Human Evolution: Adaptations, Dispersals and Social Developments (HEADS), Initiative on Heritage of Astronomy, Science and Technology, Initiative on Heritage of Religious Interest, Natural World Heritage in the Congo Basin, Recommendation on the Historic Urban Landscape, Reducing Disasters Risks at World Heritage Properties, World Heritage and Sustainable Development, World Heritage and Sustainable Tourism Programme, World Heritage Centre’s Natural Heritage Strategy, World Heritage Earthen Architecture Programme (WHEAP). De meest karakteristieke kenmerken en ornamenten dateren uit de 19e eeuw. There is a small marble throne inside the terrace. The hall was designed by Haj Abd ol Hossein Memar Bashi (Sanie ol Molk). Il incarne un nouveau style  combinant les arts et l’artisanat persans traditionnels et des éléments de l’architecture et de la technologie européennes du 18e siècle. The palace was registered as a historic heritage in … Though it seems it has grown out the Palace’s shadow, who could forget that Tehran’s first heartbeat was because of this World Heritage Site. An oil painting by Yahya Khan (Sani ol Molk Ghafari), showing the decorations of this hall before renovations carried out by Mozafar ed Din Shah (r. 1896-1907), exists in the Golestan Palace. Golestan Palace, Tehran: See 1,969 reviews, articles, and 2,549 photos of Golestan Palace, ranked No.3 on Tripadvisor among 184 attractions in Tehran. Golestan Palace The lavish Golestan Palace is a masterpiece of the Qajar era, embodying the successful integration of earlier Persian crafts and architecture with Western influences. Golestan Palace represents a unique and rich testimony of the architectural language and decorative art during the Qajar era represented mostly in the legacy of Naser ed-Din Shah. Het Golestan is gebouwd rond een tuin met zwembaden en planten. The Brilliant Hall was named so for it is adorned by the brilliant mirror work of Iranian artisans. The Edifice of the Sun is considered the most stunning structure of the Golestan Palace. In fact, some believe that it was Nasser od Din who dubbed the structure Khalvat (nook). It is vibrant, colorful, and full of aesthetic ornate figures created by gifted Qajarian artists. source: UNESCO/ERI Golestan Palace represents a unique and rich testimony of the architectural language and decorative art during the Qajar era represented mostly in the legacy of Naser ed-Din Shah. The Golestan palace has undergone many changes since the Safavid period. . The Mirror Hall is the most famous of the halls of the Golestan Palace. The influential role of artistic and architectural values of ancient Persia as well as the contemporary impacts of the West on the arts and architecture were integrated into a new type of arts and architecture in a significant transitional period. Among the collections of the Golestan Palace, a watercolor by Mahmoud Khan Saba (Malek osh Shoara) shows the exterior view of this hall during the Qajar period. The ceiling and walls are decorated with plaster molding, and the floors are covered with mosaic. Golestan Palace Tehran is the former royal residence and the seat of Qajar Dynasty (1789-1925), since Tehran was chosen as the capital. It seems extraordinary, but the valuable gravestone of Nasser ed Din Shah finally found its way to this quiet corner of the palace after being misplaced for some time. Yahya Khan (Mowtamed ol Molk), who was the Minister of Architecture, was a consultant for the designer. It was not only used as the governing base of the Qajari Kings but also functioned as a recreational and residential compound and a centre of artistic production in the 19th century. There is a central room which boasts the finest stained glass window in the Golestan Palace. These limit construction and infrastructure developments, the cutting of trees, create a pedestrian zone and suggest a variety of measures for the improvement of facades and structures. File; File history; File usage on Commons; File usage on other wikis; Size of this preview: 446 × 599 pixels. Built around a garden featuring pools as well as planted areas, the Palace’s most characteristic features and rich ornaments date from the 19th century. While this situation is acceptable in light of the demonstrated authenticity in material and design, it is essential that all remaining references to the historic Qajari setting of the property are carefully managed and preserved. This relatively small hall is famous for its extraordinary mirror work. The Building of Windcatchers was constructed during the reign of Fath Ali Shah. The architectural details, and other ornaments of the terrace, were completed during the reigns of Fath Ali Shah and Nasser ed Din Shah (r. 1848–1896). Media in category "Interior of the Golestan Palace" The following 70 files are in this category, out of 70 total. This building replaced the building of Narenjestan in the north of the Ivory Hall (Talar e Adj). Web Browser not supported for ESRI ArcGIS API version 4.10. He is said to have spent much time here in rest and repose, smoking his water-pipe in quiet reflection. He also ordered the walls covered with wallpaper imported from Europe. The plaque has been set in plaster, and unfortunately not all the glazed decoration survived. Nasser ed Din Shah renovated this hall changing its appearance and replacing the hall's ogival arches with Roman ones. The northern Picture House, was the seat of the Royal Guard during the time of Mohammad Reza Pahlavi. United Nations. The building underwent major renovations, including structural changes, during the reign of Nasser ed Din Shah. File:Golestan palace springhouse.JPG. Criterion (ii): The complex of Golestan Palace represents an important example of the merging of Persian arts and architecture with European styles and motifs and the adaptation of European building technologies, such as the use of cast iron for load bearing, in Persia. Mohammad Ebrahim, the Royal Mason, oversaw the construction and several celebrated masters of the time worked on the execution of this masterpiece. Het ommuurde paleis werd de regeringszetel van de familie Qajar, die in 1779 aan de macht kwam en Teheran tot de hoofdstad maakte. This building's two towers are in fact small versions of the Safavid viewing palace of Ālī Qāpū in Isfahan. There was once a small pond with a fountain in the middle of this terrace. As such Golestan Palace can be considered an exceptional example of an east-west synthesis in monumental arts, architectural layout and building technology, which has become a source of inspiration for modern Iranian artists and architects. One of the oldest historic monuments in the city of Tehran, and of world heritage status,[1] the Golestan Palace belongs to a group of royal buildings that were once enclosed within the mud-thatched walls of Tehran's arg ("citadel"). It is situated in the middle of the terrace (iwan), and is made of the famous yellow marble of Yazd Province. Het paleis werd een centrum van Qajari kunst en architectuur en is tot op de dag van vandaag een bron van inspiratie voor Iraanse kunstenaars en architecten. The hall was built by the order of Nasser ed Din Shah to replace another hall called Talar e Bolour ("the Crystal Hall").
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